And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently.įilm sound scholar Rick Altman and Mack after their interview at the University of Iowa.ĭr. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. When we hear a character’s footsteps or inner thoughts or hear a rousing orchestral score that the character can’t hear, it all seems natural. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we’ll hear about are downright wacky.Īudiences today give little thought to the relationship between sound and images at the movies. As our guest In today’s episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. The Sounds of Silents (Rick Altman, Eric Dienstfrey) Novem| 00:43:19
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